Last Friday I embarked on what turned out to be one of the
most surreal and worth-my-money experiences I have ever had. As a film lover I
have always liked the idea of Secret Cinema, a completely different way of
watching a movie, especially when you aren’t even sure what the film is.
However, up until this year it has always passed me by and I always found out
about it too late. Thankfully this year that wasn’t the case, and I jumped at
the chance to sign up for what I thought would just be tickets to a secret
venue, and watch a secret film. If that was it, I probably would have been satisfied. I
was actually signing up for one hell of an awesome journey. Now that this
year’s monthly run of Secret Cinema has come to an end, I shall report back to
you my findings of a brilliant Friday night.
The Secret Cinema experience started a few weeks
leading up to the actual event. Even before I signed up there were these secret
one-off ‘experiments’ and trials that fans could go and undertake to
get into the spirit of the whole thing. After I purchased tickets I was
forwarded onto a ‘recruitment’ website for a company named Brave New Ventures,
where I had to select a job title and fill out a personality profile. My BNV
‘colleague’ Chris and I plumped for ‘Investment Aides’, purely because it meant
that we had to bring with us a miniature toy figure of a human. I almost
brought my William Shakespeare or Admiral Ackbar action figures, but we found
two GI-Joe knock-offs that we decided to name Simon and Jimmy. The fact that they
managed to rise up the ranks with those names is remarkable. We also had to
come dressed in our profession uniform, a dark blue/grey boiler suit with the
BNV logos. You could either purchase the official pre-made ones or make your
own. We decided to go down the Blue Peter route.It then got even more surreal when I turned round and discovered that none other than Thom Yorke of Radiohead was in the queue laughing and joking, in a green boiler suit with his group of friends (I'm not a massive Radiohead fan, so for all I know the whole of the band was also there, apologies if so!). In all the towns in all the world ...
The actors who played all the BNV employees were really impressive.
They kept in character the whole time, and there were A LOT of them. A few came
up to us in line and discussed our history with the company and what we were
expecting, and then were taken in single file through a couple of Euston
streets before we came across a large warehouse. Even on the way there, there
were loads of actors parading up and down, and you could even hear a loud
tannoy about BNV from the building from the outside. We were then ushered into
a checking area where he handed our tickets over, and exchanged our UK money
for BNV coloured tokens. We were also given name tags, and became Eames and
Beaumont, which sounded like decent futuristic film character names (though I
am aware Tom Hardy already nicked mine in Inception).
We then through decontamination of a light spray in our faces before going through a courtyard to find our personal areas. With so many things going on around us, and so many people that we weren’t sure were actors or patrons (we were all wearing similar clothes), it felt like the beginning intro of recent video games where you want to look around and experience everything as much as possible before the next stage. Here we purchased a welcome cider from a very happy BNV vendor, and soon hundreds of people, including Thom, were in the courtyard, to be greeted from the different team leaders. An android named David, further confirming my film prediction, showed us Investment Aides to the front of the building and up some stairs, before being greeted at an area that contained a groovy looking bar and sleeping booths. Here, we almost met ‘Mother’, a futuristic room of lights, where suddenly Stephen Stills’s ‘Love the One You’re With’ started playing and we were encouraged to dance. The night had got ever so stranger.
We then through decontamination of a light spray in our faces before going through a courtyard to find our personal areas. With so many things going on around us, and so many people that we weren’t sure were actors or patrons (we were all wearing similar clothes), it felt like the beginning intro of recent video games where you want to look around and experience everything as much as possible before the next stage. Here we purchased a welcome cider from a very happy BNV vendor, and soon hundreds of people, including Thom, were in the courtyard, to be greeted from the different team leaders. An android named David, further confirming my film prediction, showed us Investment Aides to the front of the building and up some stairs, before being greeted at an area that contained a groovy looking bar and sleeping booths. Here, we almost met ‘Mother’, a futuristic room of lights, where suddenly Stephen Stills’s ‘Love the One You’re With’ started playing and we were encouraged to dance. The night had got ever so stranger.
From here on in, we were encouraged to explore as much as
we liked, and there was so much to see. Whenever you saw an open door or a
flight of stairs, it led to a different, interesting room, each with actors and
props. These included a flight deck, mess hall, a ‘Tron Pong’ games room, an
infirmary, a laboratory and much more.

There were also a couple of bars and food halls to recoup and recharge, but still remaining within the canon of the evening. With each minute, you became fully immersed into the experience, and at times, it felt strangely real. I wanted to stop giggling with excitement in order to remain in character. Sometimes the actors would interact with you and give you mini-missions, and it was quite fun to improvise and pretend to be part of the story. We even invented backstories for ourselves. At one point we here handed a large case of god-knows-what and told to take to the hangar, though we probably weren't supposed to take it down three flights of stairs. So, we even managed to have an accidental mini-workout during the evening!

There were also a couple of bars and food halls to recoup and recharge, but still remaining within the canon of the evening. With each minute, you became fully immersed into the experience, and at times, it felt strangely real. I wanted to stop giggling with excitement in order to remain in character. Sometimes the actors would interact with you and give you mini-missions, and it was quite fun to improvise and pretend to be part of the story. We even invented backstories for ourselves. At one point we here handed a large case of god-knows-what and told to take to the hangar, though we probably weren't supposed to take it down three flights of stairs. So, we even managed to have an accidental mini-workout during the evening!
The film began, and we were delighted to find that our prediction of Prometheus was correct. We were particularly pleased as we had yet to see the film, and had been looking forward to doing so, and we couldn’t have picked a better way of doing it! So many little parts of the film made the evening make so much more sense. Little nods to the evening’s events were there on screen, such as the anroid David (Michael Fassbender), the hangar’s vehicles, the actors’ outfits and even Idris Elba’s character sang the chorus to the Stephen Stills track from earlier.


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